Sunday, September 15, 2019

What Makes Having a Baby With CP 'Unthinkable'?

1,333 words
10 minute read

I've been staring at this empty page for a long time now.  Because I have no idea how to start - what to say - how to say anything that hasn't already been said on this blog.  How do I speak when I feel like I have to speak, but there might be nothing left to say on a topic?

Well, I do it by doing it...because even if I've written about parent grief before, it is still a thing.  In an article I won't link (because why) a mom with a book coming out had an excerpt of it published.  I've searched the book on a couple of platforms, and I'm willing to reserve judgment because it does seem possible that as a whole, it might be beneficial for nondisabled parents just entering parenthood of a disabled child.  I will say - this article didn't do the author any favors.

'UNTHINKABLE':
This author's child was diagnosed with CP.  The same as my sis and I were decades ago, around 18 months old.  But this mom calls a diagnosis of CP "unthinkable".  Why?  Why is it unthinkable to have a child with CP?  We have always been here:


We have always been here.  But we are not seen.  We're not raised in institutions anymore, but in homes where we are pressed to be as "normal" as possible.  Posed with our legs in positions unnatural for those of us with CP.  Those of us who can pass use all our energy all the time to do so.  And those of us who cannot...well...  We try...and try...and try...to be good little nondisabled kids, even though we can't.  And regardless of if we are the child who can pass or the one who cannot, we can feel family members' unresolved grief.

'A DISASTER THAT WOULD DESTROY THE REST OF OUR LIVES':
All I know about my sister's and my diagnosis is this quote, from a relative:

From what I recall, it was rather open ended.  They really didn’t know what to expect.  I don’t remember that there was anything said – here’s what to expect.  What I seem to remember is that it would be unknown until you got older what your prognosis would be.  You were really the first generation of survivors at that stage of prematurity." [My sister and I were born at around 31 weeks gestation in June of 1981 at 2 pounds 4 ounces and 2 pounds 8 ounces.  Previously, no babies as small as we were had ever survived at the hospital where we were.  We were the first they were able to save.]  "Therefore there was not a lot of data to draw on.  Plus, CP being brain damage due to the lack of oxygen, what are and how much damage was unknown.  There was no way to know, so really hard to hand out here’s what to expect.  To be honest, your health issues were the big concern.  Not getting sick and staying out of the hospital.

The thing is, whether a relative remembers everything, or whether they've blocked it out, we can tell.  We internalize how you feel about us.  If you feel that having a disabled baby (or babies) will destroy your life, we take that personally.  It takes a while for children to grasp subtleties and, more than that, our diagnoses of lifelong disability are an inextricable part of us.  Something that defines and shapes who we are.

If our family members (who are supposed to love and protect us) feel that CP (or another diagnosis) has destroyed their lives - we feel like we have destroyed your lives.  Because, if you take CP away?  I guarantee you, you'd have a different kid altogether.

'WHAT I FELT ENTITLED TO':
This is a really important distinction.  Because, when nondisabled parents talk about grieving a disabled child's diagnosis, they are often grieving the loss of this.  To put it more gently, it's grieving expectations.

But children (yes, even those of us with disabilities) are our own people.  We have the right to our own dreams and goals and to determine what we want those to be.  We aren't property you deserve to be given, disability-free, because of reasons.  We are human beings.  And we can't help the circumstances of our birth.  We're here.

We deserve to feel loved.  And that is a really hard thing to feel when our family members are feeling sad they didn't get the 'everything looks normal here baby'.  (No, love is not implied.  Love is action.  Love is your face lighting up.  Love is unconditional positive regard.  Love is seeing your disabled baby as unique because they are!)  No, they won't experience the world like you.  Yes, some things will be harder.  But they probably won't be the things you think...

MILESTONES / 'INCHSTONES':
No need for cutesy euphemisms.  Our milestones are just as valid as nondisabled kids'!  We reach them in our own time.  My sister took her first steps months after our second birthday.  I didn't walk until I was four years old (with adaptive equipment - I've never been able to walk without.)  Guess what?  It's still a milestone.  A year or so later, when I took my first steps with crutches?  My grandparents documented that.  Just like my sis's smile is captured in pictures as she took her first steps.

And I know there's a lot of focus on walking and other physical and developmental milestones.  But there are ways to cope.  Like, LAUGHING AT THE “NEVERS” (OR THAT TIME I DEFACED MY SON’S DEVELOPMENTAL QUESTIONNAIRE) and / or making a video like Simeon's First Wheels, celebrating your disabled kid's own milestones.

'IF WE DIDN'T HAVE A CHILD WITH A DISABILITY...HOW MUCH BREEZIER WOULD LIFE HAVE BEEN?'
We feel this, too.  I know I said it before, but when you haven't dealt with your unresolved / uninformed feelings around disability we feel this!  And we internalize it.

Anytime, we went out as a family and something happened?  Someone made a comment about where we were parked, or why I was in a chair, or even letting me know that I had "more of a right than anyone else" to be someplace?  I automatically took that in, and thought this exact thing:

"I shouldn't be here.  I shouldn't be with my family right now.  If I weren't here, this wouldn't be happening and they could just have a nice, normal time."

You don't have to say it out loud - that you prefer your nondisabled child - we know.

You can tell yourself, "It's just a thought," and that "Everyone compares," or "thinks of how life could be different," and that is the truth...but it's also dismissive of the harm it does to disabled children who grow up in these households where we know we are not the child that was wanted or even dreamed of...because we are merely tolerated....sometimes not even that.

Tolerance isn't the same thing as love.  It just isn't.

'BROKEN CHILD SYNDROME':
Most of the people with disabilities I talk to share about having the very real consequences of this mentality forced upon us.  Put through surgeries and other medical interventions, because people in our lives can only see what's 'wrong'.

But we are not the broken ones, friends.

The best thing I've been told by a nondisabled parent about grief is:   "Can we talk about this more? I want to understand your perspective..." and "I'm trying to understand, please be patient with me."

Nondisabled parents, please keep trying to understand.  Because your child with CP is going to grow up.  That child might Google themselves someday and see the proof that maybe they always felt inside - that they were nobody's first choice.

But I hope, what they find instead is, something like this:

"I had wrongfully received her as a broken baby because of my negative disability attitudes, only to quickly recognize that I was the broken one. " - Ellen Stumbo

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Monday, September 9, 2019

So, I have trauma...

332 words
3 minute read

Yes, me.

Surprised?

Yeah, I'm not either.

Considering the life I've had, it's amazing I'm here at all.  It's amazing all I have is trauma (and let's be honest, I probably don't just have trauma...)

(NOTE: I'm not looking for direction, suggestion, or commentary here.  This is me practicing positive coping.  Kindly stay out of my comments with what I "should" do, medically or otherwise.)

But listen, because I'm about to blow your mind with something (maybe mine, too.)  I don't want to be one of those infinitely positive people at the exclusion of everything else - and the detriment of myself and my mental wellness.  The thing is...I don't think it's wrong to try to find those glimmers of joy that exist while in the midst of the crapfest that is the fall/winter months and my trauma.

[Image is: Reddish orange fall leaves in sunlight, with frost on them.]


First on the list?

1.  Brainstorming at 7:30 AM with Tara.  Coming up with characters out of the blue and giving them the same name without checking with each other first.  (How's that for twinbraining?)

2.  The imminent arrival of a new candle (Perseverance!)  I mean, we can't have enough delicious-smelling candles.

3. Also the ability to just tell someone: "Hey.  My whatever-month trauma got nudged."  And for them to get it.  And, yeah, it still sucks.  But it sucks a little less being able to talk about it.

(I'm pretty sure I had more than 3 things on this list.  Come on, brain.  We've got this...)

4.  Taking time once a week to talk to the inner-children.  Today, I told them, I know we're sad.  But it is going to be okay.  Because it is.  Life can't suck all the time.  It's not possible.

So, if any of you are where I am today - and you can't find your own glimmer of joy - here's one:

You're not alone.

We've got this.

***

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Monday, July 29, 2019

5 Year Bloggerversary

469 words
4 minute read

Things have changed for me.

In almost every way, they've changed.

When I started blogging here, I had almost no disabled friends.  Most were still nondisabled.  Most conversations were still others sharing and me (us) not knowing how to contribute.  Just sitting by silently or talking about what we saw on TV, trying to make a connection that they could maybe relate to.

April, 2014.  A couple months before I started the blog.


I remember that gap.  I remember the friendships where we were told, "I can't relate to you unless I watch TV!"  I remember feeling so ashamed, like, I was somehow less because of how I spent my time.  

But I remember when it started to shift.  Seeing parent-blogs that accepted guest posts like Cautions and Kudos: For Able Parents Raising Disabled Kids and my Growing Up with a Disability series.  How posting in these places ended up leading to connection, and connection, to community:

In late 2014, I made my first connection in the disability community with Vilissa, who blogs at Ramp Your Voice!  Vilissa is amazing and wonderful, and has come through for me at some super necessary moments.  I'm so thankful to have her in my life. 

In 2015, we made our first real connection with the CP community.  Maybe you read about it, if you followed back then (Like Looking in a Mirror).  Nowadays I don't write about every single encounter we have with this precious family, but suffice it to say that they are just that.

In 2016, (via my series on Ellen's site) I had the pleasure of getting to know K, who blogs at Transcending CP: Shattering the Limits of a Disability.  While things have changed over the years, we still find time to watch Grey's Anatomy together, and are there for each other when things get tough, which, they inevitably do.

In 2017, I began getting to know the author of Dear CP.  We connect every week via video chat, and (who are we kidding) every day otherwise.  We are fiercely in each other's corners.  Supporting each other's endeavors and whether it's for media time or something more, we have each other's backs.

Just last year, and completely by chance, after blogging about the 9-1-1 episode Heartbreaker, and seeing an actress with CP on screen we ended up being able to actually connect with Alice and her wife Amanda.  Alice even volunteered to have me interview her early on.  You can read that here.

You might think, this is really strange, to celebrate 5 years blogging this way.  But this is the way I choose to do it. I celebrate my people. 

(We have people now, you guys.  People who see us.  Get us.  Believe us.  It's mind-blowing.)

***

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Monday, July 22, 2019

Summer update

170 words
1 minute read

Hey guys.

Not updating much these days for Reasons, but I thought I'd post a brief update and let you all know that I'm here.  Still writing the same thing I've been working on since last fall.  Enjoyed our birthday.  (38 now - what even...)  And that means Tara and I get excited about 4-pound vaccuums...

A couple months ago, though, I started getting to know fellow blogger, Shannon Dingle.  Shannon is a fierce advocate in the disability community and the survivor community.  She's a mother of six children.  Two days ago, she and her kids suddenly lost their husband and dad, Lee.

I know not everyone is in the position to give financially, but perhaps you could share the link to the GoFundMe set up for the family so that more people can see and give, if possible?

Thanks so much.  No one should have to go through such a horrific loss and then have to worry about bills...


***

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Sunday, March 31, 2019

Rent Live: What You Own / Voice Mail #5 / Finale / Your Eyes / Finale B / Seasons of Love (Finale)

1,215 words
9 minute read

Tune Up #1 / Voice Mail #1 / Tune Up #2 / Rent / Tune Up #3 / You Okay, Honey? / One Song Glory / Light My Candle / Today 4 U / You'll See / Voice Mail #2 / Tango Maureen /  Life Support / Out Tonight / Another Day /  Will I? / On The Street / Santa Fe / I'll Cover You / We're Okay / Christmas Bells / Over The Moon / La Vie Boheme / I Should Tell You / La Vie Boheme B / Seasons of Love / Happy New Year / Voice Mail #3 / Happy New Year B / Take Me or Leave Me / Without You / Voice Mail #4 / Contact / I'll Cover You Reprise / Halloween / Goodbye Love  


As it’s now official just past our 10-year-anniversary of seeing Rent Live on Tour, we figure it’s finally time to finish recapping the amazingness that is Rent Live on Fox:

What You Own - Here, we see that Mark has taken the BuzzLine job and is doing tabloid news.  After delivering a ridiculous headline, he looks up and says, “Oh my God.  What am I doing?”

Mark and Roger both reflect on the friendships and connection they had in New York while Roger is in Santa Fe and Mark remains in New York.  Eventually, Roger returns to New York to finish his song and Mark quits his job at BuzzLine to finish his film.

Jordan, in particular, continues to do a stellar job at depicting the trauma Mark is going through.  We were struck by just how present Mark’s trauma is here and how he must make a conscious effort to stifle it in order to work and just keep living day to day.  

The song’s chorus contains the line, “living in America at the end of the millenium,” and Jordan seized a brief moment, raising his hands and shaking his head no.  This universal signal - hands-up-don’t-shoot - had us catching our breath.  

[Jordan Fisher sings "at the end of the millennium" with his hands up, shaking his head no.]



The live audience screaming did take us out of it a little bit. Great vocals from both Jordan and Brennin.  It’s always satisfying to see Mark and Roger come back together after their time apart.

Voice Mail #5 - Roger, Mimi, Joanne and Mark’s parents all try and fail to reach them.  They are concerned about their children, but their calls continue to be screened by Mark, Roger and the rest.

The ensemble, including the lovely Keala Settle, continues to do amazing work. We love this cast.

We should note that it’s here, that the live-Sunday-night aspect of the performance began.  The previous night (filmed dress rehearsal) Brennin Hunt (Roger) broke his heel, and the cast was not able to restage everything on such short notice.  However, they were able to adapt the last few songs, beginning with the parents’ leaving their kids voice mails here.

While we would have loved to see the entire show done with Roger in a wheelchair (how amazing from a disability standpoint), we understand that with time constraints and the acute nature of the injury, it was just not feasible.  We are so happy that the needs of the injured actor were considered and accommodated during this time.  And we did absolutely enjoy the live-Saturday-night version that made up most of the show

Finale - Mark and Roger are back together.  Mark’s preparing to screen his footage and he and Roger discuss how Roger’s written his song, but can’t find Mimi, though he’s tried.  Their power blows and Collins comes in with extra money from rewiring the ATM so it gives money to anyone with the code: A-N-G-E-L.  (We love him asking Mark and Roger, “What do you two do when I’m not here?”)

They’re singing together when Maureen calls for Mark and Roger.  She and Joanne have Mimi supported between them.  She’s super sick, having been living in the park, without adequate shelter or warmth.  Collins calls 911 but gets put on hold.  As it appears Mimi is using the last of her strength to stay alert, Roger says there’s something she should hear.

This is the first time we see Roger in a cast, his foot propped up on a nearby chair as he sits on the table with his guitar.  Mark fills in where he’s needed, taking Roger’s guitar, finding Mimi blankets and a jacket, and bringing Roger’s guitar back so he can sing to Mimi.

We love seeing these friends adapt to what each other needs, with no fuss or notion that Roger is a bother.  Maureen, Joanne and Collins manage to get Mimi inside when Roger can’t and Roger is still able to be there for Mimi, to sing to her, hold her hand, and talk to her, which is what she genuinely needs in this moment.

Your Eyes - Roger’s song is essentially a proclamation of love for Mimi.  He sings to her as she dies.  Brennin Hunt delivers a heartbreaking and perfect vocal under difficult circumstances, including imploring “Mimi!” as she loses consciousness while gathered limply in his arms. 

After a few long seconds, Mimi spontaneously revives.  Her fever breaks.  It turns out that she’s seen Angel, who urged her to turn around and listen to Roger’s song.  

Vanessa’s Maureen makes this moment.  When Mimi says that she jumped over the moon, Maureen exclaims “YES!” And it’s the perfect bit of levity in a tearful moment.



Finale B - The friends all celebrate together, watching Mark’s footage of all the friends throughout the past year.  The entire cast walks back onto the stage, all of them gathered around the table where Roger’s seated.  

The lights dim and the screens project a brief message about Jonathan Larson, who wrote the show.  Though he died just before the show opened, his vision, music and message live on.  Just before this, Angel returns to stage, too, and everyone sings, “No day but today.”

It’s full of love and tears and just the seizing of the present moment.

Seasons Of Love (Finale) - Then we see, oops, it’s not the end, because much of the Original Broadway Cast is there singing Seasons of Love together, with their present-day counterparts.

We loved seeing everyone singing and celebrating together.  And though we did feel for Brennin back on the table while several of the others came and stood with the originals, Adam Pascal did join Brennin, and they sang together.

We see a minute or so of the cast celebrating post-show, and we felt for Brennin, who remained where he was out of necessity.  But it was so good to see the rest of the cast come around him.  

(Particularly, when Jordan went to hug him and got on the table for optimal closeness.  It might seem like a small thing, but those of us who are physically disabled often miss out on good hugs because of balance or location reasons, and so it did our hearts good to see that Brennin was always thought of and included in this regard.)

If you get the chance to see this show, do yourself a favor and watch it. It is available at fox.com.

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Thursday, February 28, 2019

Rent Live: I'll Cover You Reprise / Halloween / Goodbye Love

923 words
7 minute read

Tune Up #1 / Voice Mail #1 / Tune Up #2 / Rent / Tune Up #3 / You Okay, Honey? / One Song Glory / Light My Candle / Today 4 U / You'll See / Voice Mail #2 / Tango Maureen / Life Support / Out Tonight / Another Day / Will I? / On The Street / Santa Fe / I'll Cover You / We're Okay / Christmas Bells / Over The Moon / La Vie Boheme / I Should Tell You / La Vie Boheme B / Seasons Of Love / Happy New Year / Voice Mail #3 / Happy New Year B / Take Me or Leave Me / Without You / Voice Mail #4 / Contact

I'll Cover You (Reprise) - In a gut-wrenching performance, Collins (Brandon Victor Dixon) sings what was Angel’s song to him, at the very beginning of their relationship.  Now, it’s Collins’s song to Angel as he says goodbye to her. We were seriously glad for the commercial break after this number, because we needed a moment. 

Watching this really felt like a memorial service.  The pain, grief, loss, devastation, memory-sharing…  It’s poignant and gut-wrenching and the performances were stunning.

We particularly noticed before the song began, how Joanne shared that Angel came to her asking legal advice “for everyone.”  Including CPS.  Which led us to feel even more for what Angel’s home situation might have been like.  (We see a grieving older woman in the front row of the service, beside a younger woman - Angel’s mother and sister?) and this had us thinking deeply about Angel’s family and whether she had ties there.  Whether she was protected and loved, or ostracized and shunned.

Halloween - Immediately following Angel’s memorial service, Mark is at a payphone, returning Alexi Darling’s call.  She, apparently jokes with him, and he forces a smile and manages, “Yes, I am still alive…” despite being utterly broken.  He agrees (after months of phone calls by Darling) to “sell his soul” to Buzzline.  Driven by losing Angel to make a change in his life.  Mark also reflects on everything that brought him to this point.  He wonders whether he’ll have to face his future alone.

This is, hands-down, our favorite number in this particular version of Rent Live.  Jordan Fisher’s performance is more sensitive than we’ve seen previous Marks. The actor mentions in pre-show interviews that “[His version of Mark] breaks.” And he does. Mark spends much of this number in tears due to the grief and trauma of losing a close friend to this devastating and largely ignored epidemic.

[Jordan Fisher's Mark, "breaking", as he sings "...Angel set up her drums..."]



Goodbye, Love - We see here that Angel’s death has also deeply affected Roger, who is leaving to go to Santa Fe.  Mimi is not happy hearing this and walks away.  The couples all fight.  Eventually Maureen and Joanne make up, but Roger and Mimi do not.  Collins is devastated that “this family must die” and he’s super disappointed that they all seem to no longer believe in love, since that’s how Angel helped them all.

Roger wonders how Mimi could leave, and Mark asks how Roger could let her go.  Mark talks to Roger about not “escaping your pain.”  Roger says Mimi has baggage and Mark says, “So do you.”  Roger is super defensive and wonders who Mark is to try to tell him what to do.  Mark explains patiently, “A friend.”  But Roger challenges him, telling Mark he “lives a lie” because he “pretend[s] to know how we all feel” when he’s really “detached from feeling alive” and Mark says, “Perhaps it’s because I’m the one of us to survive.”

This particular back and forth is very vivid and continues showing us, the audience, what trauma actually looks like.  While Roger angrily yells at Mark (one way trauma can present) Mark repeatedly attempts to distance himself into emotional numbness to avoid reacting to Roger’s tirade.  On top of that, Mark steadies himself and keeps trying to reach Roger, and figure out if he’s jealous, or if he’s actually afraid of losing her.

Roger admits, “Mimi did look pale.”  Mark points out that Mimi’s gotten thin and is running out of time but that Roger’s leaving.  Roger can’t take Mark’s realness and turns to leave.  He says he’ll call.  But then finds out that Mimi has actually overheard everything and knows Roger doesn’t want her baggage, or to watch her die.  

He leaves, and Mark and Benny stay behind with Mimi.  Mark says he knows a rehab and Mimi says she could never afford it, but Benny volunteers to pay.  Mimi faces her own mortality and is also at a crossroads in her own life, doing her best to recover from addiction.

Meanwhile, Collins is being harassed by a security guard after he can’t cover Angel’s final expenses.  The guard uses a slur toward Collins after Mark interjects, “What happened to ‘Rest in Peace?’”  Benny intercedes and warns the guard to watch his mouth, because Collins is his friend and he’ll be in to take care of expenses.

Benny and Collins want to go out with Mark and get drunk, but Mark can’t because he has a business meeting to get to with Alexi.  Benny and Collins lovingly call Mark a “punk” and they leave.

We love this number so much. It is difficult to review it with any sort of distance as it feels utterly real and raw. 


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Wednesday, February 27, 2019

Rent Live: Without You / Voice Mail #4 / Contact

557 words
4 minute read

Tune Up #1 / Voice Mail #1 / Tune Up #2 / Rent / Tune Up #3 / You Okay, Honey? / One Song Glory / Light My Candle / Today 4 U / You'll See / Voice Mail #2 / Tango Maureen / Life Support / Out Tonight / Another Day / Will I? / On The Street / Santa Fe / I'll Cover You / We're Okay / Christmas Bells / Over The Moon / La Vie Boheme / I Should Tell You / La Vie Boheme B / Seasons of Love / Happy New Year / Voice Mail #3 / Happy New Year B / Take Me or Leave Me 




Without You - Mark tells us it’s now the coldest March on record.  Maureen and Joanne have broken up for good.  Roger and Mimi are constantly fighting - Roger is eventually hospitalized as well, and Angel has spent most of the year, thus far, hospitalized and in declining health.

We see the months pass via the song Without You, which Mimi sings.  Collins is in the hospital with Angel, “always at her side” according to Mark.  Mimi and Roger, Maureen and Joanne continue to be estranged.

Mimi sings about life going on, but how she’s dying without the one she loves by her side.  Tinashe is young and vulnerable and pretty perfect performing this.

Angel’s hospitalization is the most vivid aspect of the song for us.  It’s clear, through the time period referenced in the song, that Angel is hospitalized for months.

What’s also striking is just how far on the outside of all of this Mark is.  All six of his friends are front and center in this song (in various moments) and he is just the outside observer here.  He loves everyone so fiercely, yet there’s a distance he seems to have to maintain with his friends, which is heartbreaking to watch.

Voice Mail #4 - It’s July now.  Mark sits in front of a box fan, in a tee shirt, and claims it’s “too hot to answer the phone” when Alexi Darling calls him (again) to leave another voicemail about coming to work at Buzzline.  

Mark continues to resist Alexi’s pitches, despite how desperately he needs the money.

Alexi has always been a fun character, and she does not disappoint here. Good stuff.

Contact - This song takes us through Maureen and Joanne and Mimi and Roger having sex with each other...while simultaneously, Angel is dying.

The choreography here is the best in the entire show, in our opinion.  It supported the narrative beautifully.  Stunning work by Sonya Tayeh.  And Valentina is at her absolute best here.  Such a powerful performance, as we see Angel caught between death (which wants to take her) and life (where she’s fighting to stay.)  All the while, she says “Take me, take me, I love you!” While reaching out to Collins.

Roger and Mimi, Maureen and Joanne declare “It’s over!” all angry at each other.  Their attempts to reconcile and mend their respective relationships have failed.

Collins, meanwhile, tells Mark in a choked voice, “It’s over…” moments after Angel has died.


It’s haunting and strangely fitting that Mark, who is so isolated, is the one there to support Collins, who has just lost the person he loves most.


***


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